Golimar Telugu Movie Review
Thursday, May 27, 2010 at 9:43 pm
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Golimar Telugu Movie Review: Telugu cinema had come up with many stories revolving around police either showing them in a condescending manner or eulogizing their achievements. Golimar gives a reason for the police department to take pride in their job and for others an opportunity to salute them. Puri Jagannath’s latest film that has Gopichand playing the hero is supposed to be inspired by the achievements of Encounter Specialist Dayanayak.
The film has Gopichand as Gangaram an orphan who joins as a child worker in a small restaurant, working in the mornings and studying late nights to become a police officer, his only dream, goal. He does and proves soon that the police is not meant to merely file FIRs in the police stations but have a larger role to play. The immediate task is to wipe out the offices run by two mafia dons Khalid and Talwa who have been operating for the past 15 years from Malaysia and India respectively. Though they are primarily extortionists they are into dark trade that is yet to be unraveled.
Gangaram makes his qualities visible that the first and foremost way to kill an opponent is to threaten and weaken them morally, hit them on the mind. Puri Jagan who’s been on a lean patch strikes back with a cop story that has vague similarities with Pokiri. While the thrill element comes after interval in Pokiri, Puri here establishes the identity of the protagonist in the beginning itself and weaves the narrative interestingly without bringing in monotony.
In the latter part of the film, the story threatens to run on predictable lines but falls in place quickly with some more twists and turns coming up at the right time. Nasser who plays the hero’s father in Pokiri throws up a surprise here. He lends an element of believability to both the roles with equal ease. Roja might have been unlucky in politics but her stint has definitely helped in portraying confidence, as a woman in command on screen in her second innings. She’s given a stupendous performance in an emotionally charged role in the latter half of the story.
Priyamani gels well with her and the mother daughter duo prove to be an asset to the film. Thankfully the make up isn’t bad and Priyamani trots in skimpily clad costumes on the beaches as well as acting as a bubbly woman with panache. Not revealing Ali most of the time has indeed helped.
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